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Artist’s Statement
As a child, I had more fun painting houses with my dad and taking art classes instead of going to summer camp. My first linocut in third grade not only gave me goose bumps from excitement, but also prepared me for my career as an artist. I have always enjoyed working with linoleum and wood, due to its tactile nature. And, when I’m brainstorming, it is second nature for me to work backwards, which is the way the image will look upon completion. In the creation of a print, each step presents a new stage; it’s like preparing for a party – the big day draws closer and closer. For me, the big day is when the block is ready to be printed. As far back as I can remember, the “science” of printmaking has always fascinated me. The layering, the intricate lines, and variation of mark-making have made me stop in my tracks more than once on a museum or gallery excursion. Mostly, I find beauty in black and white images, the images that were printed in black ink on white paper. I am fond of Japanese and Spanish printmaking. In my work, I think about the old masters, how they told a story, and the role printmaking served as a form of communication. I like to tell a story in my work, and sometimes, utilize the play of words by putting different kinds of font into the composition. The font, to me goes beyond telling the story, but becomes another visual form to stimulate and move the eye throughout the work. I use bold and repetitive lines, as well as small detail mark-making. I also like to use the contrast of geometric and organic shapes.
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